This spring’s Godzilla vs Kong, a movie about a giant CGI ape brought out of retirement to battle a giant CGI lizard, had a score of 79 per cent in the lead-up to its opening weekend (it has since dropped to 76 per cent). The rising scores can be confusing for viewers who use the site to decide what to watch. “If you had talked to me 12 years ago, I would have said, ‘What in the world are they doing and why are they just trashing movies?’” “Their site is a service for moviegoers,” Gross says. If 60 per cent is the dividing line between a good film and a bad film, it makes sense to Gross that an unbiased average should fall roughly in the middle. By 2019, that average score had climbed to a high of 62 per cent - an important milestone, since 60 per cent is the dividing line between a “fresh” film and a “rotten” one.Įffectively, the average movie has gone from rotten to fresh in just 10 years.įor all of the 2000s, average Tomatometer scores hovered in the decidedly rotten low-to-mid-40s. In 2009, the average Tomatometer score for all wide releases was 46 per cent, and it was roughly at that level for much of the 2000s. For example, Cruella’s 74 per cent means that roughly seven out of every 10 critics on the site thought the villainous fashionista’s origin story was at least worth a watch. Gross, who runs Franchise Entertainment Research, a movie consultancy.įilms on Rotten Tomatoes are given a “Tomatometer” score out of 100 per cent, based on how many critics give the film a positive review. How is it that a movie featuring a CGI bear - albeit a great movie - overtook one of the greatest films of all time? It seems to be a trend on Rotten Tomatoes movie review scores on the site have been creeping upward for a decade, according to data compiled by Global News. Moviegoers were left scratching their heads this spring when Paddington 2, a children’s film about an anthropomorphic bear, overtook Citizen Kane on Rotten Tomatoes, cementing the sequel’s status as one of the best-reviewed films on the site.
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